Berlin-based writer and curator Anika Meier explores how and why women artists are shaping the emerging field of art in the age of AI.
Speakers
Anika Meier
Catherine Mason
Agenda
6:00pm - Welcome - Sean Clark
6:05pm - Moderator Catherine Mason introduces Anika Meier
6:10pm - Anika Meier speaks
7:00pm - Discussion followed by questions and answers
8:00pm - 9:00pm - Event ends
Synopsis
Inverting Linda Nochlin’s famous question, the talk titled Why Are There So Many Great Women Artists in the Age of AI? by Berlin-based writer and curator Anika Meier explores how and why women artists are shaping the emerging field of art in the age of AI.
It examines how accessible technologies, such as AI and blockchain, along with the new online art world, have enabled women and non-binary artists to gain visibility and influence.
At the same time, it considers whether this moment represents a lasting shift in art history or a fragile exception shaped by platform dynamics and novelty.
Image credit: Anika Meier, Ricarda (Technology Portraits) - detail, AI-generated image, 2025
About the speaker
Anika Meier is a writer and curator specialising in digital art.
She lives and works in Berlin, Germany, and teaches at the University of Applied Arts in Vienna (Class of UBERMORGEN, Department of Digital Art). She is the co-founder of The Second-Guess, a curatorial collective based in Berlin and Los Angeles that explores the relationship between humans and technology.
Among others, she wrote columns for Monopol and Kunstforum, worked with CIRCA and Tezos on Marina Abramović‘s first NFT Drop, and with Herbert W. Franke on his NFT Drop MATH ART.
She was on the curation board of Art Blocks, on the advisory board of Haus der Elektronischen Künste in Basel, and built EXPANDED.ART.
She is also a conceptual artist who creates text-based works that critically reflect on identity, authorship, and value in the post-digital age, including LOST FUTURES (2023), TALE AS OLD AS TIME (2024), and TECHNOLOGY PORTRAITS (2025). In 2022, she collaborated with Operator to create UNSIGNED, a collection of 100 signatures from women and non-binary artists aimed at reversing the current negative value of signatures by transforming them into artworks themselves.
Her most recent curated exhibitions include The Second-Guess. Body Anxiety in the Age of AI at HeK Basel (Virtual), LeeMullican.PCX at FeralFile, Who Is Online? Game Art in the Age of Post-NFTism at HEK Basel (Virtual), Art NFT Linz at Francisco Carolinum in Linz, and Tribute to Herbert W. Franke (co-curated with Susanne Päch).
Her exhibitions have been written about, and her writing has been published in, among others, artnet, Hyperallergic, The Washington Post, Monopol, Kunstforum, Spiegel, Tagesschau, and Right Click Save.
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Catherine Mason is an arts historian specialising in the algorithmic arts and a member of the Computer Arts Society Management Committee.
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This event is brought to you by: Computer Arts Society
